The limitations of in-situ painting

Continuing the monochrome analysis of the North Sea, here are some acrylic studies made at source, en plein air, in-situ…etc. My preferred format for these studies is 5″ x 7″ – this size allows me to capture fairly quickly the overriding colour of any given moment. You can see rain spots on these paintings – one of the perils of outdoor painting.

As these sketches attest, it’s important to me that I be in nature when I make these chromatic studies. The subtleties of colour variation cannot be experienced through a car windscreen, from beneath an umbrella and certainly not from a photograph. The glaring issue, of course is that the weather can determine which sea and sky effects I’m able to document. The most dramatic colour variations will often be when the weather is at its most hostile, so must be documented from memory alone.

SE3003/181358

SE3003/181353

SE3003/181402

SE3003/181350

SE3003/181344

SE3003/181339

 

 

 

Keith

 

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